Sending Good Wishes to New Zealand

We also send our heartfelt good wishes to residents of Christchurch, New Zealand, which has been home to a Playback Theatre company since the ‘80s. Sara Crane, an experienced playback practitioner there, writes: “I will be doing some Playback with a local school next week and am assessing where to put time and energy when there are so many needs.” Since the earthquake, there is an increased sense of community, she writes, but also so much despair. And after two big earthquakes in 6 months, many people are fearing another big one.

Our Hearts Are With Japan

According to Kayo Munakata and Yas Sakurai, members of the playback community in Japan are OK, although lives have been disrupted in many ways, from having to stay in shelters because it was impossible to get home to suffering “the worst shaking I have every experienced.”

Performances and a national PT conference scheduled for the weekend of March 19, which included 19 workshops and 4 performances, have had to be canceled.

To everyone in Japan, send us news to tell us how you are and let us know how we can help.



Breaking the Taboo

Report on Playback on Death & Dying.

Recently, Brisbane Playback Theatre performed at a conference for palliative care nurses. Neil Simmons, who attended the Centre’s summer session, reports on their experience. “When it came to the actual show it was not clear that it would work in a large conference room with 200 audience members. Perhaps we would be seen as the light entertainment between the ‘important’ presentations on “innovation and excellence,” the conference theme. Perhaps the stories would not be so deep or personal in such a large forum. However we were assured that palliative care nurses are a down to earth bunch and would be ready to tell. As it turned out this was right and our audience came forward enthusiastically with very personal tellings which were expertly handled by our conductor. The speaker on before us had presented material about the importance of self-nurturing when you work in palliative care. Hence the first few moments of the show were about different ways that people nurtured themselves. Then followed some fluid sculptures of times when people were distressed with work.  We presented a narrative V about a woman who felt ashamed about coming home and dumping all her work frustrations on her teenage son. One of the main themes of the show was creating a balance between the challenge of work and having a good life outside work. We were effective in meeting our audience and at the end the room gave us a standing ovation. This experience has spurred us on to do further work in the area of death and dying. Teachers at the Playback Centre in New York emphasized the need for building partnerships with the community on a continuing basis in order to make the work of playback effective. This is the goal over the next few years. Helping people talk honestly about death and dying reduces fear and suffering. Playback has a role to bring the discourse into a public arena.”

Why I Do Playback

Centre Director Sarah Urech just returned from  Winterthur, Switzerland, where she taught the Preconference Workshop for the Annual Playback Theatre Gathering of the German-Speaking Playback Network, which is held at the end of November every year in Germany, Austria, or Switzerland.

This year’s conference theme is Playback Theatre – between Therapy, Art and Enterprise and will be attended by playback practitioners from Germany, Austria, Switzerland, Holland, UK, Israel and the US. Sarah’s three-day workshop, November 23-25, focused on Why I Do Playback Theatre? An exploration of what we desire, what fulfills us, what is needed.

Event organizers were Karin Gisler of Playback Theater Zurich, Fra Zeller of Playback Theater Bumerang (Centre Company Partner), and Tobias von Schulthess of Ent-Rollen. Sarah grew up in nearby Zurich and is looking forward to connecting with her own roots and playbackers from her birthplace and surrounding regions. For more info: http://www.playbacktheater-treffen2010.ch/_/Home.html

10th International PT Conference 2011

“Playback Theatre – a Social Dialogue in a World in Upheaval“

Playback-Theater-Network e.V. and the Planning Committee for the international conference warmly invite you to take part in our November 2011 event!

You can register  now at  IPTN Conference 2011.

Those who register promptly can take advantage of the early bird prices, as for organizational purposes the sooner you register the better it is for us!

We are looking forward to welcoming 300 participants from around the world and an in-depth exchange of perspectives on the conference theme of “Playback Theatre – a Social Dialogue in a World in Upheaval“.

Please visit our website, IPTN Conference 2011 and have a browse.

There is space for more proposals for the conference program – for example, workshops, presentations, small performances etc. – check it out at “Call for papers“

To warm up to the conference we are running a blog, which you are invited to subscribe to with the RSS feed.

We would be delighted if you keep in touch with us via Twitter, but would be very happy too if you just pass on the news about the conference through your own Tweets, or forward this Invitation Email to others who might be interested.

See you soon in Frankfurt!

- the Planning Committee
Playback-Theater-Network

Global Playback Event

Each year playback theatre companies around the world perform on the same day to promote some aspect of human rights. The title of the 2010 Global Playback event is  “What Do You Hunger For – Stories of Body, Mind & Spirit.”

Organizer Mountaine Mort Jonas writes: “With this year’s theme, we can explore in rehearsal and performance how this relates to change — what individual and collective actions we can take to create a world that works for all. Jo Salas suggests that we ‘broaden our personal values and beliefs, to be able to understand and honor diverse and contrasting ideas presented by audience members.’  She invites us all to create some form of workshop within our companies, prior to our global performances, in which we explore personal beliefs and values relevant to this year’s theme.”

The performances will take place on Sunday, November 14th. For more information, check out the Global Playback Theatre website.

For playback performing companies who wish to participate, the organizers ask you to send the details of your performance plans (date, time, location, ticket price if any, contact person, website) to info@globalplayback.org by the end of September.

To read about the history of the Global Playback events and some of the experiences of companies over the past five years, download the latest Interplay magazine.

Remembering Hiroshima

Although many alive today have forgotten or in fact never known about the atom bombs dropped on Hiroshima and Nagasaki, some remain determined to tell the stories. Last May Big Apple Playback Theatre in New York devoted a performance to remembering the events. On stage with the troupe was company member Mizuho Kanazawa, able to play back a story in Japanese. the troupe was joined by guest actor from Essential Theatre in Tempe, Arizona, Susan Southard, also a Japanese speaker. (Susan has recently completed a narrative about five survivors of the bombing of Nagasaki called Nagasaki). Among the audience were survivors of the attacks. They told their stories. After the show, Mizuho commented: “It was an amazing and life changing event for me. I felt honored to do the show with them and my commitment for peace deepened.” In Japan playback theatre has been utilized many times to help residents of Hiroshima not to forget.

The PT / Psychodrama Connection

Many people know that there is a connection between playback theatre and psychodrama, but few know exactly what it is. Philosophically, the value system of psychodrama’s founder, J. L. Moreno, converged with that of playback’s founder, Jonathan Fox, who turned to psychodrama during the early days of developing the new form of theatre in the 1970s. “Psychodrama values the creativity in everyone, and its theory models inclusivity. I also needed my own emotional education to be ready for the serious stories. These are stories that in society all too often no one wants to listen to. But I wanted playback theatre to be a place where anyone could tell their story, no matter who they were.” Fox became certified in psychodrama and attracted many psychodramatists to playback theatre. Playback theatre never positioned itself as a psychotherapeutic method, however, remaining a form of interactive improvisation with a commitment to human rights and social change. For a brief comparison of playback theatre with pychodrama by Jonathan Fox, see here. Jonathan Fox is teaching a course this July that will elucidate the subject for practitioners. Called the Psychodrama/PT Interface, it will be offered as part of the Centre for Playback Theatre’s training program at Manhattanville College, near New York City. Information can be found here.

They honored women

Over March 9-10 eight Israeli playback theatre companies donated 12 community performances on the occasion of International Women’s Day to honor women and their stories. The Israeli Conductors  Forum, a group of Playback Theatre leaders that meet every six weeks, proposed and planned the donated performances, which were inspired by the Global Playback Event created by Asheville Playback Theatre in the US.

What Do You Hunger For?

After sifting through 45 pages of stories, insights and comments from the previous years, Mountaine Mort Jonas and Raphael Peter of Asheville Playback Theatre in North Carolina have chosen the theme of “What Do You Hunger For? -  Stories of Body, Mind and Spirit” for the 6th annual Global Playback Theatre performances to take place in November of this year.

The Global  Playback Theatre event involves playback theatre companies around the world mounting performances in their own communities on the same day. Each year there is a theme.

To find out more, see the Global Playback website.